On until 16 October, ‘States of Mind‘ explores our understanding of the conscious experience from different perspectives. The book supporting the exhibition is a collection of literature, science and art delving into the mysteries of human consciousness. The book’s editor Anna Faherty reflects on the brief and varied lives one’s creations may lead upon being released it to the world.
Museums and galleries are curious places to work, for many reasons. One is that they provide an opportunity to observe how the target audience for something you helped create behave and what they say in the exhibition space. Surreptitious spying, or eavesdropping, on museum visitors has practical value in terms of gathering information and insight that may help improve future exhibitions, but it can also be a deeply personal experience.
It’s hard not to be emotionally affected when you observe strangers interacting with, enjoying, being confused or affronted by something you developed. Seeing that thing take on a new life, often in unexpected ways, as the experiences of visitors shape their own interaction with the exhibition, and the interactions of others, can be even more affecting. Continue reading